Sammohana Song lyrics in 2024

Sammohana Song lyrics-Manamey movie (2024)

Sammohana Song Lyrics Melody verses in Telugu composed by Ramajogayya Sastry, Sung By Shweta Mohan, Hesham Abdul Wahab And Music Formed By Hesham Abdul Wahab From The Telugu Manamey Featuring by Sharwand, Krithi Shetty Coordinated by Sriram Adittya, Sammohana Song lyrics .

Sammohana Song Lyrics in English

Ye Vekuvo Allukunna Alikidi
Ye Raagamo Velluvaina Vinikidi
Naalonaa Adi Neevenaa
Challagaali Pillanagrovi Swaraloodinaa
Ningi Jaaru Neeli Mabbu Nenaa

Sammohana Sammohana
Leela Maaya Mohana
Nee Oohalo Aalapana
Thelipoye Thalapunaapagalana

Chinni Chinni Kaali Muvva
Dinna Dinthana
Reppapaatu Samayapu
Veyyo Vanthuna
Cheppakunda Cherukundi
Yekanthala Yedhanaa

Sammohana Sammohana
Leela Maaya Mohana
Nee Oohalo Aalapana
Thelipoye Thalapunaapagalana

Chusthu Chusthu
Nachesthunda Nee Vainam
Aalochisthu Aunandaa Naa Praanam
Sarassulo Puvvai Padi
Repaavugaa Ee Sandadi

Ye Vennelo Nimpukunna Manasadi
Chinnarilaa Nannu Pena Vesinadi
Baavundi Kadha Maarindi
Vellaleni Allarantha Yamuna Nadi
Nannivela Aakraminche Nadi

Sammohana Sammohana
Leela Maaya Mohana
Nee Oohalo Aalapana
Thelipoye Thalapunaapagalana

1. Sammohana Song Lyrics in Telugu

ఏ వేకువో అల్లుకున్న అలికిడి
ఏ రాగమో వెల్లువైన వినికిడి
నాలోనా అది నీవేనా
చల్లగాలి పిల్లనగ్రోవి స్వరాలూదినా
నింగి జారు నీలి మబ్బు నేనా

సమ్మోహనా సమ్మోహనా
లీలా మాయ మోహనా
నీ ఊహలో ఆలాపనా
తేలిపోయే తలపునాపగలనా

చిన్ని చిన్ని కాలి మువ్వా
దిన్నా దింతనా
రెప్పపాటు సమయపు
వెయ్యో వంతునా
చెప్పకుండా చేరుకుంది
ఏకాంతల ఎదనా

సమ్మోహనా సమ్మోహనా
లీలా మాయ మోహనా
నీ ఊహలో ఆలాపనా
తేలిపోయే తలపునాపగలనా

చూస్తూ చూస్తూ
నచ్చేస్తుందా నీ వైనం
ఆలోచిస్తూ ఔనందా నా ప్రాణం
సరస్సులో పువ్వయి పడి
రేపావుగా ఈ సందడి

ఏ వెన్నెలో నింపుకున్న మనసది
చిన్నారిలా నన్ను పెన వేసినది
బావుంది కథ మారింది
వెల్లలేని అల్లరంత యమునా నది
నన్నివేళ ఆక్రమించే నది

సమ్మోహనా సమ్మోహనా
లీలా మాయ మోహనా
నీ ఊహలో ఆలాపనా
తేలిపోయే తలపునాపగలనా

Watch Sammohana Video Song from Manamey

About Movie:

In a stunning development, Vikram, the lighthearted playboy, and Subhadra, very nearly marriage, end up bound together by Kushi’s mediation. Might it be said that they were ready to meet their obligations towards Kushi? What has been going on with Kushi’s folks? Furthermore, is there a more profound association between the parental figures and the youngster’s loved ones? The responses look for you in the unfurling story of the film.

Sharwanand radiates an in vogue energy, and his cheerful disposition and faultless comedic timing have an enduring effect. His playboy shenanigans and coquettish chitchat produce certified chuckling. Krithi Shetty’s science with Sharwanand adds appeal to their scenes together.

Vikram Adittya’s presentation execution is charming and leaves a fine effect. The supporting cast conveys good exhibitions, and the score and ambient sound really supplement the film’s environment.While the story starts on a fascinating note, it loses force as it approaches the span, without the profound profundity expected to enthrall the crowd in the final part.

Notwithstanding the focal spotlight on Vikram Adittya’s personality as Kushi, his presence decreases altogether in the last part. The last option some portion of the film needs close to home reverberation, with different subplots and characters redirecting consideration from the fundamental story.

Author chief Sriram Adittya neglects to support the commitment found in the primary half, affecting the general survey insight. The anticipated storyline and dreary peak add to the film’s deficiencies.

Certain characters, like Shiva Kandukuri, Seerat Kapoor, and Mukesh Rishi, might have been exceptional created to improve plot commitment. Furthermore, the absence of compelling profound scenes between the leads is an issue. While the score upgrades specific scenes, the tunes neglect to establish a long term connection.

Specialized Viewpoints:

Sriram Adittya, both the essayist and chief, botched an amazing chance to work on the last part to match the delight in the first. The screenplay needs profundity, leaving watchers scrutinizing the quintessence of the story.

Hesham Abdul Wahab’s melodic commitments are excellent, with foundation tracks adding profundity, albeit the first tunes neglect to leave an enduring effect. The cinematography by Gnana Sekhar and Vishnu Sharma dazzles with its outwardly engaging feel.

Prawin Pudi’s altering could profit from refinement, especially in the subsequent hour. While the creation values are satisfactory, the CGI work misses the mark regarding assumptions because of irregularity and an absence of clean. The outfit architects should be valued for their innovative abilities.

Decision:

All in all, Manamey presents a respectable family show, with Sharwanand conveying an estimable exhibition and Krithi Shetty dazzling in her job. While the music adds pizazz to certain scenes, the film’s dreary final part and shallow profound profundity disturb the general effect. While Manamey may not resound with everybody, it can possibly engage family crowds.

Manamey follows an attempted and-tried standard format story in which Vikram (Sharwanand) and Shubhadra (Krithi Shetty) consent to be the guardians of their companions’ youngster who lost his folks. The center story of Manamey rotates around how they in the end fall head over heels and how this kid turns into a piece of their lives. Exhibitions Right off the bat, Sharwanand looks sublimely fit and calm all through the film.

He conveys a showy non-verbal communication, and his exhibition hoists even the normal scenes. The styling is additionally generally excellent, including the ensembles picked for him, which match the smooth and metropolitan allure the visuals produce. There are no bad things to say with regards to Sharwanand’s presentation; he totally conveys’ expectation and’s given to him.

Krithi Shetty looks stunning, and her presentation is additionally perfect. Nonetheless, there isn’t a lot of that will latch onto our subconscious minds once we leave the theater, which is more to do with how her job is composed. Seerat Kapoor will assume a totally shabby part, and it just bothers for the short time frame she shows up on screen.

Shiva Kandukuri, who is a legend himself, assumes a part in the film. He looks great on screen, yet the composition of his job needs influence. Investigation Manamey is coordinated by Sriram Adittya, who recently coordinated Ashok Galla’s introduction film, ‘Legend’. For Manamey, he picked an anticipated, equation based plot that expected new treatment and show, making just fractional progress. The primary portion of Manamey offers a blustery involvement in sharp jokes predominantly conveyed by Sharwa’s personality, and its outwardly rich allure adds esteem, notwithstanding deficient with regards to creativity.

The reprobate track, played by Rahul Ravindran, appears to be senseless, and a battle scene including a vehicle pursue looks like an inferior quality computer game. Notwithstanding, because of good projecting and classy, smooth visuals, the main half is effectively pleasant despite the fact that everything looks recognizable. For a film like Manamey to succeed, the final part is essential, where it needs to convey feelings in the right portions.

This is where chief Sriram Adittya disheartens. The last part includes drawn-out groupings, for example, an air swell ride for a kid, and Seerat Kapoor’s job presents outrageous weariness. Besides, there is some incredibly senseless composing connected with Sharwa’s personality dealing with a proposal, and so on. These thoughts are very poor, and, surprisingly, the basic pre-peak block, where Sharwa attempts to take the youngster from grandparents, is unexpectedly entertaining.

The way that essential scenes expected to summon feeling rather incite chuckling shows how feeble the composing is. To put it plainly, Sriram Adittya misses the mark on conviction on the most proficient method to adjust the feelings between the youngster’s storyline and the lead pair’s adoration track. Without this equilibrium, Manamey neglects to convey in the final part.

The main redeeming quality is the irregular fun that works inconsistently. Chief Sriram Adittya needs somebody to supervise his work, as it isn’t whenever he first has shown guarantee yet neglected to convey, in spite of the issues being self-evident and clear. By and large, “Manamey” offers a tomfoolery, carefree first half with rich visual allure however disheartens in the last part with frail feelings, regardless of Sharwa’s fine exertion.Sammohana Song lyrics

Exhibitions by Others Entertainers Manamey highlights an entire pack of notable supporting cast, and they convey their jobs, with the exception of Rahul Ravindran, who appears miscast for his job, which is written in a senseless way. Vennela Kishore plays an extremely short one-scene job, while Rahul Ramakrishna shows up more often yet adds no worth. Humorist Sudharshan looks a piece changed and assumes an unpretentious part rather than his typical super acting. Moreover, there are two or three senior craftsmen who give their typical exhibitions, including senior entertainer Tulasi.Sammohana Song lyrics

Music and Different Divisions? Hesham Abdul Wahab makes the music. Albeit several melodies look great on screen as a result of the classy movement and visual allure, not a solitary one of them stay with us after we leave the theater. Notwithstanding, his experience score is good. A film like Manamey ought to basically have two or three chartbusters, and Hesham neglects to convey in that viewpoint.Sammohana Song lyrics

Manamey has rich clear lines of sight; each and every scene looks smooth and cleaned, and credit goes to cinematographers Nana Shekar V.S., Vishnu Sarma, alongside the craftsmanship chief Jonny Shaik. Prawin Pudi’s altering might have been something more, particularly in the final part, which is loaded up with a lot of exhausting blocks that are effectively recognizable. The creation values by Individuals Media Industrial facility are generally excellent; the film looks outwardly rich beginning to end.Sammohana Song lyrics

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